The Excelencias Group celebrates 20 years of recognizing outstanding projects in tourism, gastronomy, and culture across Ibero-America. This year’s Excelencias Awards ceremony took place during FITUR 2025.
There are some products that, beyond their being commercial items, garner the status of cultural ambassadors for their origin and history. They are linked to a country’s traditions, they grow with it,
Twenty years have gone by since Julio Le Parc had been in Havana last; his relationship was quite aloof, yet unforgotten. Many trips from the 1960 to the late 80 had turned him into a reference –and a
The Clouds in an Unchanging Sky exhibit in Madrid’s Casa de America takes a peek at the city of Bogota from two different views: Spanish photographer Ricky Davila and Colombian poet Dufay Bustamante. T
Goya and the Voices of Dawn, by writer Reyes Caceres Molinero, assumes an original contribution to a topic that art mavens, researchers and historians have time and again gone over in one of Goya’s pai
Those who know about the history of Cuban art have probably found out that, in keeping with the historic rigor, this heading must be construed as a blunder because the group of Cuban painters and sculp
The latest presentations staged by Tomas Sanchez –who has expressed himself through painting, drawing, ceramic art, puppet design, set design, fabrics, graphics and gems– reveal the multiplicity of a c
Chile’s First Visual Arts Triennial has displayed neither artworks nor artists who can put on a good show. However, a whole country got hyped as a scenario thanks to a job well done by renowned curator
One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968) and Eulises Niebla (Matanzas, 1963). The piece intends
How can art reviews be made in the Americas? That’s a heck of a question. How can art reviews be focused on a young art where, as we read in this section of the magazine’s first issue, definition, iden
A shortfall of research studies on the continental arts is the theoretical context poet Octavio Paz’s critical contribution hinges on. During the First Iberian American Meeting of Art Critics and Fine
Michael Dweck is a sensualist, a documentarian, a good story teller, and a great admirer of feminine beauty. He is also something of an islander in spirit, raised as he was on Long Island, New York. In
Today’s Caracas boasts only a handful of colonial
ambiences. The impetuousness of modernity rules the urban image, determined by the number and verticality of buildings, huge avenues and thoroughfares
