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Grupo Excelencias Celebrates 20 Years of the Excelencias Awards in Madrid

Grupo Excelencias Celebrates 20 Years of the Excelencias Awards in Madrid

In an emotion-filled ceremony, Grupo Excelencias celebrated the twentieth anniversary of the Excelencias Awards on October 29, which, for two decades, have highlighted the most outstanding projects in tourism, gastronomy, art, and culture in Ibero-America.

Roberto Diago: The Nigro Enigma

There’s no social layer, group

Four in a Drawer

Earlier today I skimmed throug

RED. An exhibit of Cuban posters curated by designer Pepe Menendez Havana, 2009

Red is the color that correspo

Editorial 2 English

We’re giving our readers the second issue of our Art by Excelencias magazine. Based on the first issue’s magnificent acclaim among artists, critics and researchers in the realm of the fine arts, the Ex

Between Us and the Interpreter: Minimal Notes on an Exhibit by Rene Francisco

It’s understood that Rene Fran

A Watchful Eye. Kinetic art in Havana

For Matilde Perez (Chile, 1920

A Shock in the Paradise of Symbol

What does Doris Salcedo evoke when she orders to choose the floor of the Hall of Turbines with a 547-foot-long crack?

The Havana Biennial. 25 Years of Integration and Resistance

It’s becoming increasingly nec

Reeking of Anthropological Danger

Sometimes I’ve said on televis

Traveling with Camejo

A city vision, in which the light draws the full scope of the night, is the image that serves as backdrop for this book entitled “Luis Enrique Camejo Vento.”

WE, THE MOST UNFAITHFUL

Let’s begin with a common, equally necessary place to lodge ourselves in the point we want to get to.

EXCELENCIAS GALERY, A new space in Madrid for the Contemporary Art

The Excelencias Gallery, a

The Alternative Biennial

We’re living in very com plex times wi thin the universe of contemporary art, according to the signals coming from everywhere under the sun, either inside the country or outside. Never before there’s b

A Tico in Habana

If archives were not to be delved into and were scorned as simply useless and lugubrious places, we’ll be taking the risk of letting boldface names like Max Jimenez Huete (1900-1947) fall into oblivion