When they suggested me to present A Curator’s Eye,1 a book by art critic and essayist Corina Matamoros, I was enthused so much about the possibility of doing that because of the admiration and loving t
Walls have always existed and apparently continue to exist: some have fallen definitively while others remain, and there are those that insist on raising new ones. In ancient times, they served to
Today we’re pulling out three files. They belong to artists who are considered to be both Spanish and Cuban in the same breath. It’s not a riddle, but just the trappings of this complex planet so full
A large crowd of art lovers, the intelligentsia and news media from Madrid attended the February 18 grand opening of The One and the Many, Cuban Avant-garde and Contemporary Art.
The collective exhibi
Twenty years have gone by since Julio Le Parc had been in Havana last; his relationship was quite aloof, yet unforgotten. Many trips from the 1960 to the late 80 had turned him into a reference –and a
The vast possibilities opened up by the Internet from its start to date in terms of connectivity, simultaneity of actions and massive consumption of different topics and knowledge, have also entailed a
Ernesto Leal’s work and thinking always bring back up in me the passion of mulling over art as the ideal space to “invent” our lives from an unbiased and diversified perspective, especially now when th
How can art reviews be made in the Americas? That’s a heck of a question. How can art reviews be focused on a young art where, as we read in this section of the magazine’s first issue, definition, iden
“Those who are creative work through the past, the present and the future, going beyond time; those who are not, accept the ties of the old and the new”.
Abanindranath Tagore
The latest presentations
Michael Dweck is a sensualist, a documentarian, a good story teller, and a great admirer of feminine beauty. He is also something of an islander in spirit, raised as he was on Long Island, New York. In