In his most recent book, Eduardo Marceles Daconte examines, from different perspectives, the development of visual arts in the region, particularly during the second half of the 20th century and t
As we’ve been presenting in previous issues, the Internet has become a promotional space of choice for countless cultural projects and institution, art events and to showcase the works of re
The Latin Types Biennial got its big break in Buenos Aires back by the hand of outstanding Argentine designer Ruben Fontana. The event became the showcase for a number of creators and trends in su
ARTURO KEMCHS DAVILA (Mexico City, 1958), cartoonist and comics writer who has seen his drawings published in countless printed periodicals from a number of countries.
He chaired th
As I was getting set to broach the new article for this section, an event that struck my attention came to pass. What’s more, it was exciting enough to make me change the subject, or at leas
(...) In principle, it’s crystal-clear that the contemporary cannot be mixed up with the modern or the coeval. There are coeval products that break free from contemporary sensitivity. The co
(...) VÄLPARAÍSO INterVENCIONES represented a type of art less submitted to the show, to the institution of art and cultural industry; one closer to the citizenship, to the so
People talk a lot about the globalized world. Fully convinced or not of such assertion. As a consequence, the terms “international music”, “international food”, “inte
(...) Cordero started to work in October 2009 on nine paintings of the same size, all of them different from each other, taking as reference classical genres of the history of painting: portrait,
(...) Abela belongs to a breed of lucid artists, those for whom intuitive representation is not enough –which it is indeed– and who are equally interested in how and why the act of com
Based on a minimum registration of seven Mexican artists’ recent work, the factors fostering the different ways of perceiving, interpreting and reinterpreting art are explored here. Every ge
While delving into the history of 19th century’s Cuban painting, one of the most significant dates of all is January 1981. The Volume 1 exhibition –organized and curated by a
Since his youth age in South America Luis Camnitzer started to amass a precious work that he has generously spread by himself, and sometimes with the help of others, across the eastern coast of No
The artist starts off on the use of simple elements, like paper (made of polyester) and pens, alongside an assortment of minimal and ambiguous narrations meant to pique spectators by sparking both