It’s understood that Rene Fran
For Matilde Perez (Chile, 1920
What does Doris Salcedo evoke when she orders to choose the floor of the Hall of Turbines with a 547-foot-long crack?
It’s becoming increasingly nec
Sometimes I’ve said on televis
A city vision, in which the light draws the full scope of the night, is the image that serves as backdrop for this book entitled “Luis Enrique Camejo Vento.”
Let’s begin with a common, equally necessary place to lodge ourselves in the point we want to get to.
The Excelencias Gallery, a
We’re living in very com plex times wi thin the universe of contemporary art, according to the signals coming from everywhere under the sun, either inside the country or outside. Never before there’s b
If archives were not to be delved into and were scorned as simply useless and lugubrious places, we’ll be taking the risk of letting boldface names like Max Jimenez Huete (1900-1947) fall into oblivion
When the past century came to a close , the Caribbean art was basking in the international limelight. The 1990s were fertile in the opening of regional exchanges and in terms of major world-class exhib
I remember that a few years ago information on Central America’s artistic scene was scarce and misleading. On nations like Nicaragua, it used to be far more disappointing. No wonder one of the exhibits
The fact that America is a young people is borne out, first of all, by the very history of the United States. The arch of sense that would fundamentally span from the 2000 to the 2008 presidential elec
The invisibility of Paraguay’s arts in the world scene is not under discussion; it’s a fact. A shroud of silence wraps the country’s cultural creation. Even in the South Cone, Paraguay is still draped