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Grupo Excelencias Celebrates 20 Years of the Excelencias Awards in Madrid

Grupo Excelencias Celebrates 20 Years of the Excelencias Awards in Madrid

In an emotion-filled ceremony, Grupo Excelencias celebrated the twentieth anniversary of the Excelencias Awards on October 29, which, for two decades, have highlighted the most outstanding projects in tourism, gastronomy, art, and culture in Ibero-America.

claudio Antonio Gomez

Claudio Antonio Gomes was b

Antonio Martorell. I Want it All, and I Want it All the Time

Antonio Martorell is a regular

History and Perspective of Design in Latin America and the Caribbean. Two Visions of a Myth

Venturing into the brain-ra

One out of Eleven

An artist’s monographic boo

A Passion for Humor

One of those indispensable boo

Elusive PARAGUAY

The invisibility of Paraguay’s arts in the world scene is not under discussion; it’s a fact. A shroud of silence wraps the country’s cultural creation. Even in the South Cone, Paraguay is still draped

Jose Bedia:Our obligation of going cross-cultural

Jose Bedia has never bee n properly an artis t. He ’s never wanted to be. Either way, he’s always been trying to avoid it, to escape from art just like any hounded animal in peril would do. Just as muc

Lourdes Fernández ARCOmadrid 2009 Director

In your view, what were

RUFO CABALLERO’S EXPIATION WATERS

Thinking feels a kind of fruition very similar to that of loving when it touches the naked body of an idea. Ortega y Gasset

Editorial 1 English

Our publishing group is giving its readers Art by Excelencias, a magazine envisaged to bear testimony to the creative processes within the framework of the fine arts and their main figures in the Ameri

CRIST

Cristobal Reinoso was born

VISIBLE AND INVISIBLE, A CLEARING IN THE WOODS

As I read on Visible and Invisible, I imagine the exceptional hand of Pedro de Oraa –the hand of a painter and author, making sure this appraisal doesn’t lean solely to one side– assisted by profound t

TO SEE THE SPIRIT

I ignore whether curating a book –organize it, be responsible for all its images and vignettes, for all texts both critical and informative– may hamper someone from writing a review about it.

VANITIES AND RHIZOMES

El Observatorio de Línea (Ediciones Union, 2008) is an anti-academic book. I guess it’s the most bohemian book I’ve ever read and that enthralls me. I can’t help it. Elvia Rosa Castro gives herself all