In half a dozen chronologically-arranged chapters, the authors have compiled abundant material. Thus, “His whimsy legs are only good for Rock” collects Figueroa’s human and artis
Latin American and Europeanguest artists to the Dissident Cartographies (2007-2009) exhibition, sponsored by the State Society for Spain’s Outer Cultural Action (SEACEX) with the co
During the twentieth century, panamanian plastic arts were quite behind with respect to the advanced centers of the Latin American continent, in spite of all institutional efforts initiated in the
The Campo Expandido (Expanded Field) exhibit, currently underway at the Migliorisi Foundation, showcases the works of three contemporary Chilean artists: Ricardo Villarroel, Mario Ibarra
Luis Gomez Armenteros occupies one of the top positions in the Cuban Vanguard Art. He has a dimension that places him between the proposals made by Juan Francisco Elso (Havana, 1956- Mexico, 1988)
If we were to make a quick tour through the history of the Cuban arts, we’ll see how the presence of women in the plastic arts was timely and decisive during the first half of the 20th<
The 104th Annual Meeting of American Museums (AAM), held from May 23 to 26 this year at the Los Angeles Convention Center in California, was the place of choice to take a closer look at
On the afternoon of Nov. 16, 2010, the Servando Museum in the Cuban capital was the place of choice for the presentation of the Art by Excelencias magazine’s two latest issues (6 and 7).
Helio Flores Viveros was born on Oct. 8, 1938 in Xalapa, Veracruz, Mexico. He studied architecture at the Universidad Veracruzana. From 1966 to 1967 he lived in New York and studi
Graduated with degrees in Informational Design at the Higher Institute of Design (ISDI), Monzon (class of 2002), Hollands (2002) and Laura Llopiz (2000) have tried their hands at and grown in this
After attending last year’s 53rd Venice Biennial, Ivan Navarro’s career has been undisputedly on the rise. This platform gave top international hype. Working with galleries in New York
It’s been over two decades, in 1988, since the grand opening of an exhibition at the National Museum of Fine Arts, an exhibit that hasn’t grabbed all the attention it d
Santiago Sierra is one of the artists who drewon the main leads of the readymade Duchamp-style.On one side is the position taken by the fictional shaman Joseph Beuys: the work of a
The Art by Excelencias magazine, a publication targeting the visual arts in the Americas and the Caribbean, will be attending the fair from the publication pavilion and the presence of ou