A shortfall of research studies on the continental arts is the theoretical context poet Octavio Paz’s critical contribution hinges on. During the First Iberian American Meeting of Art Critics and Fine
Michael Dweck is a sensualist, a documentarian, a good story teller, and a great admirer of feminine beauty. He is also something of an islander in spirit, raised as he was on Long Island, New York. In
Today’s Caracas boasts only a handful of colonial
ambiences. The impetuousness of modernity rules the urban image, determined by the number and verticality of buildings, huge avenues and thoroughfares
The fourth issue of Art by Excelencias brought to our readers today speaks volumes of how our publication –in a short span of time– has been enhancing its ties with experts, institutions, artists and c
Maurizio Cattelan’s playful heresies are pigeonholed in the controversy between essence and appearance that rules different contemporary disguising strategies. Among the body, the object and the action
From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no such thing as a stamped theoretical definition resulting f
Over thirty books have been written about Alfredo Jaar (Chile, 1956). Outstanding thinkers from around the globe have churned out brilliant texts on the most recognized Chilean artist worldwide. Some o
Born in Corozal, Sucre, Colomb
Rodrigo Moya is Mexican and was born in 1934. After 75 years of an intense lifetime in which he’s tried his hand at several trades and has nourished on countless experiences, the art and the trade that
In his cult text “The Sufficiently Good Artist: Beyond the Avant-Garde Artist,” Donald Kuspit hurt for forever more the pride-swollen megalomania found in that kind of artist. Kuspit stripped the histr
The Orí. El Òrìsà personal exhibition is just another excuse to take back on Santiago Rodriguez Olazabal’s artwork, one of the esthetic proposals that be
Artistic practices are “ways of doing” that take part in the general distribution of the ways of doing and in its relationships with the ways of doing and the forms of visibility.
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The relative similarity in key aspects, like weather and geography, coupled with the wise and talented interpretation of these conditions by the local and foreign architects who designed works in diffe
Central America has entered a new era and reached a point of no return