Havana: La gran pantalla (The Big Screen) is the title of the exhibit recently opened by Ines Garrido (Holguin, 1966) at the Villa Manuela Gallery attached to Cuba’s League of Write
Since March 4, plasma of faceless beings, representing migratory displacements, is taking a grand tour around several communities in Oaxaca. It’s the Éxodos Sur (Southbound E
Castellon: Ten artists from the COMBA 10 Art Group have handpicked ten other world-class creators to both interpret and pay tribute to them.
Zurich: Daros Latinamerica, a guest of the Migros Museum for Contemporary Art in Hubertus Exhibitions –a new center created during the refurbishment of the Löwenbräu-Areal– i
The London Print Studio is exhibiting through June 4 Cuban Gold. ¡Viva la reproducción! Contemporary Cuban Prints, an exposition of over eighty prints curated by artists Sand
Roughly a hundred by Frida Kahlo and Diego Rivera could be watched at the National Museum of l’Orangerie in the month of September as part of a number of cultural, scientific, fundraising an
Madrid: As many as 120 pieces collected from museums around the world, representing some of the most celebrated women portraits will be exposed at the Thyssen-Bornemisza Museum from March 8 to Jun
Madrid: Seventeen artists have come up with a project called A Room of Your Own that opens on March 8 at the exhibition hall of the School of Fine Arts of the Universidad Complutense.
The genre discourse is part of the visual arts’ contemporary language, yet its entelechy is marked by the circumstances of being a woman, all in herself, one of the permanent reasons of thei
The publication of the only issue of arturo magazinein 1944 marked the beginnings of the first movement of abstract art in Argentina. It is a form of art that invents and opposes
He was born in Lima in 1949. He studied Letters and Fine Arts at the Pontificia Universidad Católica del Perú, and History of Art at the Universidad Nacional Mayor de San Marcos. Sin
Two years since its first cycle of life we’re nowcelebrating with the presentation of issue eight, the Arte por Excelencias magazine is fulfilling its natural goal: to make way for
1. With his constantly increasing professional evolution, Rufo Caballero showed that he was an endless creator of intellectual genre or communicative expression. Hence his project
Santiago Rueda strikes back with a Line of Powder, quieter and more effective in his analysis of a particular local artistic phenomenon. Art and Drugs in Colombia, the winner tex