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Harold Ancart,Untitled, 2021 © Harold Ancart/ SABAM, Brussels. Courtesy the artist and David Zwirner

Harold Ancart - La Grande Profondeur (The Deep End)

La Grande Profondeur (The Deep End) will be Ancart's first solo show in Paris and will mark his third with David Zwirner since joining the gallery in 2018. First exhibition to focus primarily on
Nancy Rubins: Sculpture & Drawing

Nancy Rubins: Sculpture & Drawing

Rhona Hoffman Gallery is pleased to present a new body of sculptures from Nancy Rubins' Fluid Space series, alongside new works on paper. Throughout her decades-long career, Rubins has been i
the-Body-Has-Memory_cropped-to-edge

Whitney Museum of American Art: Jennifer Packer

Jennifer Packer's paintings and drawings combine observation, memory, and improvisation. Featuring over thirty works from the past decade, The Eye Is Not Satisfied With Seeing is the largest
Wifredo Lam, Hermes Trismegiste. 1945 © 2021 Artists Rights Society (ARS), New York / ADAGP, Paris

Wifredo Lam: The Imagination at Work

In collaboration with Gary Nader of Gary Nader Art Centre, Pace Gallery is pleased to present Wifredo Lam: The Imagination at Work, an exhibition of paintings, works on paper, and rarely seen bron
Standing Women of Venice. Standing Black Woman of Venice

Standing Women of Venice. Standing Black Woman of Venice

French/American sculptor, poet and novelist Barbara Chase-Riboud (born in 1939 in Philadelphia) met Alberto Giacometti at the beginning of the 1960s when she had just settled in Paris. Her work was at
Domenico Gnoli, Due dormienti, 1966 Collezione Privata / Private Collection © Domenico Gnoli, by SIAE 2021

Fondazione Prada Milan. Domenico Gnoli

Conceived by Germano Celant, this retrospective is part of the series of exhibitions that Fondazione Prada has dedicated to artists—such as Edward Kienholz, Leon Golub and William Copley—whose practice
Daniel Canogar, Shred, 2021

A Generative Movement

On the occasion of bitforms gallery's 20th anniversary, we are pleased to present A Generative Movement in San Francisco at Minnesota Street Project.
Labyrinth of Forms: Women and Abstraction, 1930–1950

Labyrinth of Forms: Women and Abstraction, 1930–1950

During the 1930s and 1940s, abstraction began to solidify as an exciting, fresh form of modern artmaking in the United States, and a small assortment of American artists dedicated themselves to it. Ma
June Crespo. Cheek to Cheek, 2015. Private Collection

Fundació Joan Miró. The Point of Sculpture

With a selection of more than one hundred pieces by sixty-five artists from all over the world, The Point of Sculpture addresses the major transformation that the practice of sculpture has un
J. M. W. Turner, Peace – Burial at Sea, Exhibited 1842 Oil on canvas, 34 1/4 x 34 1/8 in. Tate Britain, London, accepted by the nation as part of the Turner Bequest 1856, N00528 Photo: © Tate, London, 2020

Kimbell Art Museum | Turner's Modern World

During his lifetime, J. M. W. Turner (1775-1851) witnessed spectacular technological innovations and the industrialization of modern life. As the advances of industry and commerce brought Britain to wo