Julia Isídrez’s world in New York

Kasmin gallery presented Mundo de Julia, an exhibition of ceramic sculpture by Julia Isídrez. This is the artist’s first solo exhibition in the United States and runs concurrently with Isídrez’s presentation in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa.

Among the most notable sculptors working in South America today, Isídrez has recently emerged on the international stage as a singular voice in contemporary art. She continues to garner broader recognition for elaborating the sculptural and expressive capacity of an ancient methodology passed down by her mother, the famed ceramic artist Juana Marta Rodas (1925-2013). Expanding an indigenous Guaraní tradition in which mothers have taught ceramic techniques to their daughters for centuries, Isídrez reconfigures the sculptural language and traditional forms of her ancestors, fostering her own creative force in the realm of contemporary sculpture. On view in Mundo de Julia are a series of vessels that Isídrez has transformed into sentient creatures, deeply rooted in the specificity of place yet expressing universal aspects of the human experience of the natural world.

Having worked with clay since her youth, Isídrez’s intuitive knowledge of her material lends to confident gestures that give life to vivid forms, whose variegated surfaces are informed by the unpredictable nature of firing ceramics. Exploring the lyrical possibilities of clay, Isídrez transcends the traditional forms and functions of her medium to create sculptures that brim with life. Using the format of urns and vases as a starting point to engage in formal experimentation and play, Isídrez uniquely portrays animals native to Paraguay, such as the anteater, or anthropomorphized vessels with heads and appendages emerging from exterior surfaces. Reducing her forms to bulbous curves or sharp points shaped by hand, Isídrez accentuates the defining characteristics of each animalistic being. With a nod to the traditional votive function of the urn as a receptacle for the soul and body, Isídrez imbues her works with an unparalleled vitality.

Isídrez’s imaginative spirit equally informs her contributions to contemporary art and to the Guaraní ceramic tradition. The artist introduces a new sculptural vocabulary to an ancient process, drawn from the material, environmental, and formal specifics of her locale and Guaraní heritage. Including works executed in homage to the artist’s mother and grandmother, the sculptures on view demonstrate Isídrez’s dexterity in modeling both organic and austere shapes, underscoring their experimental innovation. In these works, baroque curves, stern spikes, and commanding reliefs kindle a bestiary of organic forms driven by the elemental nature of clay.

The artist creates and hand fires her works at her studio in Itá, Paraguay. Making evocative works that offer new contributions to contemporary sculpture, Isídrez’s technique bears witness to the technical adaptations of those that came before her, withstanding the influences of modernity and globalization. Deeply informed by the work of her maternal ancestry, Isídrez continues to work and teach ceramics in Itá, indicative of the significant influence she and her mother have imparted on artists across the region.

Julia Isídrez will be part of Art Week Pinta Sud | ASU, taking place from August 5-11, 2024.

Mundo de Julia. Julia Isídrez’s individual exhibition.

 Until August 9th, 2024. 

Kasmin. 297 Tenth Avenue, New York, United States.

Source: Arte al Día