Nicolás Guillén returns to visit the Alameda de Paula in the old part of the City. When it is thirty years after the “physical departure” of Cuba´s National Poet, artist Enrique Angulo wanted to erect
The exhibition will feature images from a series of eleven editorial projects created for W magazine between 1997 and 2008, including several photographs never exhibited before.
Botero is considered one of the best Latin American artists.
The restlessness that Alejandro Lescay has expressed in his canvases concerns us all. I have recognized it with frank conviction when I read the verses of the poem and looked at the pictures at the sam
It is one of the cultural institutions of Bayamo, in the Granma province, which offers the greatest pride to those born in our region, the only one of its kind in the country.
The history of Holguin`s art takes on relevant nuances in the decades after the triumph of the Cuban Revolution. Throughout that period, the name of Electa Arenal Huerta stands out: for some, she was j
The cultural wealth of Paraguay is the product of outstanding sculptors, painters and writers who, with their experiences, have expressed in their works the history of a country.
With OK & JETZT we're showing an exhibition interface between the digital and analog world.
Last 2019 it was two hundred years since the arrival in Cuba of Enriqueta Faves and one hundred since the suicide of the excellent poet María Luisa Enriqueta del Carmen Milanés (Liana de Lux).
Rhona Hoffman Gallery is honored to present new and recent work by Torkwase Dyson (Chicago, b. 1973) for the 2020 online edition of Frieze New York.
Family, friends and admirers of the artist pay tribute every year by laying a wreath next to the “Árbol de la Vida” (Tree of Life,) as they call a pine planted by Guayasamin himself in the yard of his
Bayamo is an ingenious city, rich in inventive tradition and a pioneer in various aspects of cultural life.
Paris Gallery Weekend 2020 will take place from Thursday 2nd to Sunday 5th July 2020 and the event will mark a big comeback in the galleries a few weeks after the confinement.
Landscapes not to color is the result of a collective process in which nine adolescents between 13 and 17 years old, and without theatrical experience, in workshops and meetings spoke with more than a