In an emotion-filled ceremony, Grupo Excelencias celebrated the twentieth anniversary of the Excelencias Awards on October 29, which, for two decades, have highlighted the most outstanding projects in tourism, gastronomy, art, and culture in Ibero-America.
Since early 2010, Art by Excelencias has worked hard to beef up its stance worldwide and strengthen its distribution channels with foundations, art galleries, museums, academic centers and institu
“Exhibitions are stages of different insights and imply a true construction of senses”. With this statement, Maria Jose Herrera1 began the presentation of an important compilation (Exhibitions of Argen
The tragedy of a physical death will cause commotion; an allegoric death will make people shake far beyond the beauty it portrays
Since the year 2001, the Urban Culture Foundation (FCU) in Venezuela has been implementing an inter-generic multiple editorial program that includes the FCU’s main collection, the Cuadernos series spec
Borges who, as everyone knows, did not pride himself of being condescending, wrote a great praise about Alfonso Reyes; a few verses that could be either the preface or the conclusion of the book recent
Amazement came first. Is Severo Sarduy a painter? The novelist who wrote Cobra and Where We Come From, the poet of Big Band and Mood Indigo, the collaborating writer of larger-than-life magazine Tel Qu
Walls have always existed and apparently continue to exist: some have fallen definitively while others remain, and there are those that insist on raising new ones. In ancient times, they served to prot
The book entitled The Havana House: Typology of Housing Architecture in the Historic Center by Dr. Madeline Menendez, takes up a publishing slack about the studies –long on hold– in the field of Cuban
A large crowd of art lovers, the intelligentsia and news media from Madrid attended the February 18 grand opening of The One and the Many, Cuban Avant-garde and Contemporary Art.
The multidisciplinary exhibition Cuba. Art and History from 1868 to Date presented at the Pavillon Jean-Noël Desmarais at the Musée des beaux-arts in Montreal, Canada, from Jan. 31 through June 8, 2008
Ernesto Leal’s work and thinking always bring back up in me the passion of mulling over art as the ideal space to “invent” our lives from an unbiased and diversified perspective, especially now when th
When they suggested me to present A Curator’s Eye,1 a book by art critic and essayist Corina Matamoros, I was enthused so much about the possibility of doing that because of the admiration and loving t
Today we’re pulling out three files. They belong to artists who are considered to be both Spanish and Cuban in the same breath. It’s not a riddle, but just the trappings of this complex planet so full
