Two exhibitions with a different profile were inaugurated last Friday 24 at Factoria Habana: Rojo Verdoso, by The Merger group and Patria, by Alejandro Campins, both commissioned
With a strong presence of local galleries and after seven editions, the fair has focused its efforts on promoting young collecting, along with a boost to emerging art, from sections Young Art (wit
Rereading the magazine, I was surprised by the talent shown as it packs a remarkable amount of important texts into 96 pages, without affecting the quality or boring the readers, though in some ca
Over two hundred people attended yesterday in Havana the launch of Arte por Excelencias magazine’s issue 13th, reaching its fourth year of life.
Painter, illustrator and cartoonist born in Colombia. She began her work as an illustrator at the newspaper El Espectador. Over the last twenty years she has worked on numerous editorial
In the art world it is not uncommon to encounter critics affirming a twenty-year career without having published a single book. This peculiarity creates irritation amongst literary co
The Museum of Fine Cuban Arts, located in the 13th district of Vienna, opened in November 2009 with the exhibition of a remarkable selection of Cuban art that embraced painting, sculp
(...) The homage paid by Casa de las Americas on the artist’s centenary, by means of the exhibition Matta: del arte al libro<
(...) There is no international Art Biennial in the world that does not have the primary mission of conferring political visibility to the host city, making it stand out on the econom
In recent years contemporary art fairs have shown an increasing ability to overcome the essence of their commercial status and become a first class aesthetic-cultural event, emulating
Next May 11th the eleventh edition of the Havana Biennialwill be opened, the largest and most complex visual arts event in Cuba, founded in 1984 under the management of the Contempora
(...) If with any one adjective I were to describe Art Basel, I would use “overwhelming”. An immense dizziness –like Rousseau’s whirlwind– is what we exp
(...) What were the elements of tradition which modern architects took on in order to develop a language that would establish a dialogue amid universal and local issues, promoting the
The ¿Neomexicanismos? Ficciones identitarias en el Mexico de los ochenta exhibition was recently inaugurated at Monterrey Museum of Contemporary Art (MARCO), a review of a decade o