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Swab Barcelona

Swab Barcelona announces the 70 galleries taking part in its 17th edition

Swab 2024 will focus on the effervescent art scene in East Asia, with the city of Taipei as abenchmark on the contemporary Asian scene, beingthe protagonist of the SOLO Show by Vila Casas and Video Box programmes, dedicated to video art, and Tokyo and Seoul, as the protagonists of the Focus Tokyo - Seoul curated programme, which brings together young spaces from both metropolises.

Preserving The Caribbean’s Modern Architecture*

The relative similarity in key aspects, like weather and geography, coupled with the wise and talented interpretation of these conditions by the local and foreign architects who designed works in diffe

There’s something going on in Central America

Central America has entered a new era and reached a point of no return

Tenth Cuenca Biennial. Reality and new times

Q & A with Head Curator.

The Young Looks

Watching the youngsters still seeing Casa de las Americas as a space of recognition and promotion for their fledgling careers is a satisfaction for those who started out that project and cultural cente

A place for resistance. Ninth Video & Media Art Biennial, Chile 2009

The Ninth Video & Media Ar

ANOTHER (NEW) SHORTCUT TO POGOLOTTI

Cuba’s visual arts are going t

SOULFUL COLOR AND LIGHT

Though an individual exhibit n

Alfaro: Ritual Memory

In Memoria Ritual (Ritual Me-m

A Galician in The Caribbean

In my third time around for The Archivist section, I want on the one hand to piece together some sort of a trilogy of a number of artists who are likened to the advance of the fine arts in the Caribbea

Land. An exhibition on Uruguayan posters

Sebastian Alonso / Martin Crac

Local traces

 

The Traces: The Private Eye exhibition is an initiative thought out by artists who set up a company for the registration and transfer of the personal stamps of their works

Cildo Meireles. Against hegemonic ideas in art

Frames, as much as borders, bug Cildo Meireles. That’s why he doesn’t make movies despite the interest he once had in it 40 years ago. The point is films usually end with a similar format and is not a

Conect-art

It’s becoming increasingly common to see brick-and-mortar art promotional places getting their virtual correlate on the world wide web or the Internet. There are times when the giant network

Does the Abuse Stop Here?

In his cult text “The Sufficiently Good Artist: Beyond the Avant-Garde Artist,” Donald Kuspit hurt for forever more the pride-swollen megalomania found in that kind of artist. Kuspit stripped the histr